Breeze on the Pond

BREEZE ON THE POND
2023, Acrylic on canvas, 96x120cm | 37.80x47.24in

Blooming Flowers

BLOOMING FLOWERS
2023, Acrylic on canvas, 114x146cm | 57.48x45.67in

Bridge on the Lake

BRIDGE ON THE LAKE
2023, Acrylic on canvas, 120x120cm | 47.24x47.24in

Dancing in Turquoise Water Dypthic

DANCING IN TURQUOISE WATER DYPTHIC
2023, Acrylic on canvas, 130x215cm | 51.18x84.65in

Emerald Bridge

EMERALD BRIDGE
2023, Acrylic on canvas, 120x120cm | 47.24x47.24in

Emerald Green Pond

EMERALD GREEN POND
2023, Acrylic on canvas, 120x120cm | 47.24x47.24in

Garden in the Pond

GARDEN IN THE POND
2023, Acrylic on canvas, 146x114cm | 57.48x45.67in

Harmony

HARMONY
2023, Acrylic on canvas, 120x120cm | 47.24x47.24in

Koi Dance

KOI DANCE
2023, Acrylic on canvas, 120x120cm | 47.24x47.24in

Lake with Blue Flowers

LAKE WITH BLUE FLOWERS
2023, Acrylic on canvas, 120x120cm | 47.24x47.24in

Multicolored Garden

MULTICOLORED GARDEN
2023, Acrylic on canvas, 114x146cm | 57.48x45.67in

Placid Lake

PLACID LAKE
2023, Oil on canvas, 120x120cm | 47.24x47.24in

Spring

SPRING
2023, Acrylic on canvas, 120x120cm | 47.24x47.24in

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ALFARO

Eric Alfaro

Eric Alfaro (Cuba, 1991) is a Cuban figurative artist. He graduated from APAP (Provincial Academy of FINE Arts) Raúl Martínez of Morón (Ciego de Ávila, Cuba). He can list several exhibitions and art fairs participations such as the "Copperfest" Arts Festival in North Miami, Florida, United States and the “Paratissima” Contemporary Art Fair in Torino, Italy. His artworks are in private collections all over the world and also in prestigious location, such as Copperbridge Art Foundation, the company F&F Media Corp. and Lincoln Center Orchestra in New York.

Among the main subjects of his paintings there are landscapes, in which the game of reflections is the protagonist; floral arrangements in vases of various shapes and charms; representations of fishes that move into the water; ethereal women's faces surrounded by flowers.

Stylistic figures of his painting are certainly the use of colour and the sign. The first appears sometimes dense or at the opposite very light and retains all the artistic power of the work in its nuances, while the second, although it is generated in a quick gesture and created using various tools (such as spatulas, brushes of various sizes), is always accurate and never casual. The result is a very material work, a reminiscence of the impressionist style, but with attention to the smallest details, without loss of definition, we could say realistic.