BABY-D
BOTANIC GARDEN 3
2025, Mixed media on Dibond Aluminium, 160x120cm | 63.0x47.2in
EXPRESSED
2025, Mixed media on Dibond Aluminium, 120x80cm | 47.2x31.5in
GANGSTAR 2
2025, Mixed media on Dibond Aluminium, 200x140cm | 78.7x55.1in
HOTEL 1
2024, Mixed media on Dibond Aluminium, 100x140cm | 39.4x51.2in
IT'S A FAKE 3
2025, Mixed media on Dibond Aluminium, 100x100cm 39.4x39.4in
MENOPAUSE 2
2025, Mixed media on Dibond Aluminium, 120x120cm | 47.2x47.2in
OLD-YOUNG
2025, Mixed media on Dibond Aluminium, 120x120cm | 47.2x47.2in
OLYMPUS
2025, Mixed media on Dibast Aluminium, 170x90cm | 66.9x35.4in
POP ROCK 1
2025, Mixed media on Dibond Aluminium, 200x130cm | 78.7x51.2in
PROTAGONISM!
2025, MIxed media on Dibond Aluminium, 160x100cm | 60.0x39.4in
SCENTED WAVE! 1
2024, Mixed media on Dibond Aluminium, 70x70cm | 27.6x27.6in
SCENTED WAVE! 2
2024, Mixed media on Dibond Aluminium 70x70cm 27.6x27.6in
SHOPPING 3
2024, Mixed media on Dibast Aluminium, 80x80cm | 31.5x31.5in
THE CURSE OF THE 27 CLUB 1
2024, Mixed media on Dibast Aluminium, 200x140cm | 78.7x55.1in
THE KING OF THE SOFA 2
2024, Mixed media on Dibond Aluminium, 200x140cm | 78.7x55.1in
CONTACT FOR MORE INFORMATION

Born in 1975, Baby-D attended an art high school and studied at Ca’ Foscari University in Venice. She currently lives in Treviso and chooses to remain deliberately anonymous—whether to protect a reserved personality or due to the provocative nature of her work, we still don’t know. She exhibits through galleries across Italy and has participated in several international art fairs, including those in London and Innsbruck. Her most recent major solo exhibition was held in Caserta in 2025.
Baby-D stands out for her sharp and irreverent take on Pop Art, where she reinterprets pop culture icons not to celebrate them, but to expose their contradictions and hypocrisy.
Her works, created using mixed media techniques—from acrylic to digital collage, silkscreen printing to three-dimensional installations—blend irony with social critique. Baby-D takes familiar images—cartoons, logos, advertisements—and transforms them into provocative reflections on identity, appearance, consumerism, and digital alienation.
She doesn’t seek easy approval but rather aims to jolt the viewer’s conscience, using the language of pop to speak to those willing to question what they see.
Her goal is to awaken minds dulled by media saturation, and with each of her works, she launches a powerful challenge, inviting us to look beyond the glossy surface and reflect on the real meaning of the icons that populate our everyday lives.