Al luna park - Venezia

AL LUNA PARK - VENEZIA
1958, Photography, 44x56cm

Basilica nella nebbia - Assisi

BASILICA NELLA NEBBIA - ASSISI
1957, Photography, 44x56cm

Campagna con cipresso - Assisi

CAMPAGNA CON CIPRESSO - ASSISI
4\25, 1992, Photography, 44x56cm

Canne di Sorgo - Domanins

CANNE DI SORGO - DOMANINS
2\15, 1953, Photography, 44x56cm

Chiesetta votiva - Remanzacco

CHIESETTA VOTIVA - REMANZACCO
8\25, 1961, Photography, 44x56cm

Concrete Astrazioni

CONCRETE ASTRAZIONI
Photography, 44x56cm

Concrete astrazioni

CONCRETE ASTRAZIONI
Photography, 44x56cm

Confidenze - Venezia

CONFIDENZE - VENEZIA
1955, Photography, 44x56cm

Crescendo in fretta - Palermo

CRESCENDO IN FRETTA - PALERMO
1957, Photography, 44x56cm

EUR - Roma

EUR - ROMA
1955, Photography, 44x56cm

Fienagione nei Magredi - Domanins

FIENAGIONE NEI MAGREDI - DOMANINS
9\25, 1963, Photography, 44x56cm

Fratelli Castions di Zoppola

FRATELLI CASTIONS DI ZOPPOLA
1959, Photography, 44x56cm

Gerona - Spagna

GERONA - SPAGNA
8\12, 1963, Photography, 44x56cm

Giochi a Chioggia

GIOCHI A CHIOGGIA
1961, Photography, 44x56cm

Giovani a S Daniele - S Daniele del Friuli

GIOVANI A S DANIELE - S DANIELE DEL FRIULI
1957, Photography, 44x56cm

In San Pietro - Roma

IN SAN PIETRO - ROMA
1\12, 1955, Photography, 44x56cm

In attesa del vaporetto - Venezia

IN ATTESA DEL VAPORETTO - VENEZIA
3\25, 1958, Photography, 44x56cm

In laguna - Marano Lagunare

IN LAGUNA - MARANO LAGUNARE
1958, Photography, 44x56cm

In posa - Firenze

IN POSA - FIRENZE
5\25, 1960, Photography, 44x56cm

Incontri in piazza - Assisi

INCONTRI IN PIAZZA - ASSISI
4\12, 1957, Photography, 44x56cm

Isola di San Giorgio - Venezia

ISOLA DI SAN GIORGIO - VENEZIA
1956, Photography, 44x56cm

Monumenti e città

MONUMENTI E CITTÀ
1963, Photography, 44x56cm

Ombre piegate - Merano

OMBRE PIEGATE - MERANO
8\12, 1959, Photography, 44x56cm

Piazza San Marco - Venezia

PIAZZA SAN MARCO - VENEZIA
1955, Photography, 44x56cm

Pini e Larici - Carnia

PINI E LARICI - CARNIA
2\25, 1973, Photography, 44x56cm

Prima del temporale

PRIMA DEL TEMPORALE
13\25, Photography, 44x56cm

Processione del Corpus Domini a Venezia

PROCESSIONE DEL CORPUS DOMINI A VENEZIA
1955, Photography, 44x56cm

Riflessi metallici - Casarsa

RIFLESSI METALLICI - CASARSA
3\25, 1959, Photography, 44x56cm

Ritmi sulla spiaggia - Lignano

RITMI SULLA SPIAGGIA - LIGNANO
1961, Photography, 44x56cm

Sulla fontana della piazza - Amalfi

SULLA FONTANA DELLA PIAZZA - AMALFI
6\25, 1957, Photography, 44x56cm

Turisti - Venezia

TURISTI - VENEZIA
1\12, 1957, Photography, 44x56cm

Viti come disegni l - Collio

VITI COME DISEGNI L - COLLIO
1996, Photography, 44x56cm

CIOL

Elio Ciol

Elio Ciol was born in 1929 in Italy, after having worked in different cities in Europe he now lives and works in Italy.
Ciol’s photographs are in the collections of the Metropolitan Museum of Art, New York; The International Museum of Photography, Rochester, New York; Centre for Creative Photography Tucson, Arizona; Humanities Research Centre, University of Texas, Austin; The Art Museum, Princeton University, New Jersey; Centre Canadian d’Architecture, Montreal Canada; The Art Institute of Chicago; The University College of Wales, Aberystwyth; Victoria & Albert Museum, Londra; Musèe de la Photographie, Charleroi; Civici Musei e Gallerie di Storia e Arte, Udine; Galleria di Arte Contemporanea Pro Civitate Christiana, Assisi; Elio Ciol has shown his photos in 102 individual exhibitions, which have been critically acclaimed, and in another 112 group exhibitions. Ciol’s photos have also illustrated more than 190 books.
He is without doubt one of the great Italian masters of landscape photography and he is known not only for the perfect quality of the technique and the print, but also for some special lyricism of the subject chosen and for the poetic imagination it evokes. His images take us to another temporal rhythm but not to another time. His landscapes are full of controversy; they are calm but in the same way enigmatic; sharp and equilibrated but his black and white are also full of fog. These images invite us to go beyond appearances, reminding us of how things have different consistency and how, according to different points of view, it can change because his landscapes really change. Through perception the photographer reads and interprets all the surrounds him ; he shares his knowledge and shares the world he lives in. And even thought the images reflect the reality, it is Ciol’s expression of his philosophy through photography.